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#131
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Put three of those things together and you have... a $750 tripod that sucks. |
#132
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"Dennis O'Connor" wrote in message ... Garry, I do not want to get into a big digi versus silver debate... If you prefer digi, go for it... But, beware of what the computer software puts on the screen as being reality - taint so!. Just for starters, a 35mm lens with ASA100 film is capable of 100 line pairs per millimeter on the negative (with a consumer grade lens no less - greater than 200 lpm is duck soup with good lenses)... consumer grade lens and 100lpm ? how do you do that, if a Provia 100 F is stuck at 60 lpm? technical pan does about 140 lpm. sirius |
#133
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sirius writes:
consumer grade lens and 100lpm ? how do you do that, if a Provia 100 F is stuck at 60 lpm? Even a consumer grade lens may have high resolution in the center of the field. And the resolution of Provia depends on the target contrast; for high contrast details, the resolution is much higher than 60 lp/mm. technical pan does about 140 lpm. More like 300 lp/mm, as I recall. -- Transpose hotmail and mxsmanic in my e-mail address to reach me directly. |
#134
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Recently, David J. Littleboy posted:
"Magnus W" wrote: "Deathwalker" wrote in : Tut tut should have gone to jessops Can they make the Gitzo MonoTrek usable? ;-) No, but they might have a http://www.velbon.com.au/mup-4g.html Which you really could use to kill people, especially with a Foba ball head on it. (This is a combination that works quite nicely with a Mamiya 645 Pro and a 150mm lens.) Use as a club aside, I don't think that it is the brand of monopod that is my issue. I'm quite happy with the build quality of my monopod. My problem is that I can't adequately stabilize a camera with one unless I'm leaning against some other solid object, like a tree or wall. Neil |
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